This used to 
    be the general headquarters, where about twenty of the Yamamigata, 
    hereditary whale watchers, took turns to reside. The role of the Yamamigata 
    were to find whales, to distinguish their kinds, to signal boats to start, 
    to keep track of their positions, to decide where to whale according to the 
    situation of the tidal current, and to give instructions on the whaling 
    operation in general. The system of whaling was integrally related to the 
    everyday life of the local community in Taiji. 
    This 
    monument was built for Kibino Makibi who was sent to Tang (China) as a 
    vice-ambassador. He was washed ashore after being shipwrecked by a storm at 
    this cape when it was called Muronomisaki(Muro cape) in the Era of Emperor 
    Koken (753 A.D.). Muronomisaki was the first name of this cape later to be 
    changed to Taijisaki. It is now called Tomyozaki. 
 This 
        Yamami (lookout/lighthouse) was the place where watchmen 
        looked out to sea in search of whales they migrated 
        through the 'path of whales' off the coast of Taiji. 
        At one time in ruins, the site has now been recently 
        restored. The first lighthouse in Japan which used whale 
        oil for its lantern was built here on October 3 in 1636. 
        Its foundation stone still remains here. This lighthouse 
        was restored according to information acquired from 
        ancient records. This place was also used for 
        communicating with ships at sea by lighting signal fires 
        and putting up flags. Once caught, whales were completely 
        utilized leaving no waste; its meat for food, its bones 
        for tools and crafts, its oil for lanterns, etc. 
 This 
        monument was constructed to commemorate a group of 
        whalers who got shipwrecked after whaling for a mother 
        whale and a baby whale. This was in violation of the 
        traditional teaching to never go after a whale with a 
        baby. This was one taboo handed down by word of mouth 
        among whalers: 'Never touch a humpback whale when with 
        its baby.' People were suffering from a bad catch and 
        famine that year, and were waiting to see a signal from 
        the yamami (watchman). When it finally came, it was 
        pointing to a mother whale and a baby. The whalers 
        decided to whale in violation of the taboo and in spite 
        of the bad weather. They never to returned. They built 
        this monument as a warning to hand down to their 
        descendants. 
 This 
        picture of the Taiji whaling fleet is owned by the Whale 
        Museum in Taiji Town. Whaling has similarities to war at 
        sea. It is perhaps through whaling that the old Kumano 
        Navy became so strong. The technique, strategies and 
        organized force of whaling naturally would prove useful 
        in real battle as well. In ancient times whalers used to 
        catch whales which came close to the coast by using a bow 
        and arrow. Later, Kakuemon of the Wada family, who was 
        the chief of Kumano Navy, improved the whaling technique 
        with the 'Tsukitori ho' (stabbing method) which used 
        harpoons in a group called 'Sashite gumi' (harpooner 
        group). Later in 1675, he also contrived the 'amitori ho' 
        (net method) where the net first catches a whales head 
        after which a harpoon was used. This method spread 
        swiftly all over Japan as the 'Taiji Whaling Method'. 
        This picture, displayed in the Whale Museum, depicts a 
        traditional whaling expedition in progress. 
 Kujira 
        Odori (whale dance) is a traditional performing art 
        preserved in Miwasaki ward in Shingu City. This precious 
        cultural tradition tells of the history of the local 
        traditional whaling culture. The dance was created some 
        300 years ago as a way to show how the whalers challenged 
        whales with only simple fishing tools and boats that they 
        rowed out to sea. The 'Denchu odori' (Denchu dance) shows 
        how they would cast their net and surround the whales, 
        and 'aya odori' shows how they caught the whales using 
        their harpoons. This dance has been designated as an 
        intangible cultural treasure by the prefecture as well as the 
        city government. This dance is held during the Miwasaki 
        Hachiman Shrine Festival in September and attracts a 
        large number of tourists. 
 The photo here shows three harpoon heads used by 
        local whalers. The larger harpoons are about 1metre in length 
        and weigh more than 2kilograms. 
 Instead of throwing the harpoons directly at
        the whales, they were thrown high into the sky so that
        they would fall vertically in order to stab deeply into
        the whale's back. After the whale was harpooned, the rope
        attached to the harpoon was pulled to bend the handle so
        that the harpoon would not come out easily. The handle
        was therefore specially made to bend easily. 
        to the top 
 A whale memorial stands quietly at the foot of
        the Sengen Shrine in Nigishima. This was built long ago
        as an expression of compassion and gratitude towards
        nature. Kumano is considered the area where whaling in
        Japan originated. In Nigishima a whaling treaty called
        'kujirabune sadame' is preserved which is believed to
        have been a treaty between various groups of whalers
        called kujirakata who hailed from places like Nigishima,
        Yuki, Isozaki, and Kinomoto in Kumano City. 
 As an attempt to foster international 
        understanding of the local whaling culture, Taiji Town 
        built this museum in 1969 when whaling began to be 
        criticized around the world. This museum is full of 
        whaling artifacts and is also a research facility for 
        studying whales and their habits. After 21 years of 
        voyages to the Antarctic Ocean the whaling ship 'Kiyomaru 
        #11' can be viewed as a museum artifact and is situated 
        just outside the whale museum. A plan to establish an 
        international whale research institute is now under way 
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